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By José B. Monleón

Departing from confirmed structuralist or mental ways to the glorious, Jos Monlecn bargains an ideological studying of this literary made from mass tradition. In an exploration of the origins and improvement of the wonderful, Monlecn lines the relation of cause to unreason in gentle of 3 precise occasions that prompted capitalist considering: the French Revolution, the uprisings of 1848, and the Bolshevik Revolution. the glorious, Monlecn argues, mirrored social tensions and produced a cultural area during which to suitable fears because of the revolutions--to tame the "specter" pointed out through Marx and Engels within the Communist Manifesto. even as the glorious helped carve in Europe a security of order in the course of the creation of unreason as a plausible discourse.

Monlecn can pay specific realization to the improvement of the glorious in Spain, whose designated financial and cultural stipulations shape a unique historical past opposed to which to check his paradigm for the advance of the style within the remainder of Europe. This examine touches upon a variety of works, together with these via Bcquer, BazNBn, Galdcs, Alarccn, Maupassant, Shelley, Poe, and James, in addition to etchings by way of Goya.

Originally released in 1990.

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Extra info for A Specter is haunting Europe : a sociohistorical approach to the fantastic

Sample text

But the fears, whether expressed in medical terms, located in the barbarity of marginality, or projected toward the future, pre­ ceded these events and in a sense helped to create them. Their origin lay in a broader development in social thought and in a profound transformation of social and economic relations. The same year that Walpole's Otranto appeared, Johann Joachim Winckelmann published his History of Ancient Art. This work was not a mere chronology of different periods or a descriptive report of diverse artistic creations.

Philippe Aries notes that cemeteries began to abandon their familiar site C H A P T E R T W O next to the city church: "There is no doubt that during the seventeenth century the umbilical cord that connected the church and the cemetery was loosened, without yet being cut" (1981, 321). By the eighteenth century, cemeteries such as SaintSulpice in Paris were being consecrated in the outskirts. Confinement was not, of course, a sociopsychological ab­ straction suddenly taking shape in these houses of banishment and reclusion.

The impulse of liberty was carried too far, opening the gates for the barbarians C H A P T E R T W O at the outskirts to take over. The history of the French Revolu­ tion became the history of Europe from the moment that it set the example not of bourgeois uprising but of popular power. As Gwyn A. Williams indicates, "no matter how radical the dif­ ferences between the two countries, in both Britain and France, it was in 1792 that 'the people' entered politics" (4). From this moment, the restoration of reason would require a redefinition of its boundaries.

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A Specter is haunting Europe : a sociohistorical approach to the fantastic by José B. Monleón


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